This
past week I saw two films featuring characters who were Senegalese
immigrants living in Western countries. The first of these was the
French dramedy The Intouchables
(which I have been lead to believe by a Google search means
“Untouchable” in French). Based on a true story, the film is about
Philippe, a wealthy man who is paralyzed from the neck down, and the
friendship he forms with Driss (short for Idriss), a Senegalese
immigrant from the projects who Philippe hires as his caretaker. When I
tell you that I smiled from the beginning of this movie to the very
end, I am not in the least bit exaggerating. While the film could have
been rife with pat racial stereotypes and tropes, the it actually comes
off as heartwarming and genuine without being preachy, formulaic, or too
paternalistic. (Well, there was one scene where Driss got the white
folks to dance, but who wouldn’t get down to Earth, Wind & Fire?).
I think the heart of the movie is captured best when Philippe is
confronted by a friend who tells him that Driss was once in prison and
Phillippe says he doesn’t care because Driss treats him without pity.
And that’s the mark of a true friendship, someone taking you at face
value and being willing to give as much as take. Omar Sy, who plays
Driss has a certain presence on film that’s hard to ignore and he has a
real chemistry with Francois Cluzet who plays Phillippe. I was
overwhelmed with joie de vivre. Be sure to look for The Intouchables when it arrives at a theater near you.
The second film I saw was Restless City. I went to see it because it is the latest release from AFFRM, the African Film Festival Releasing Movement, an organization dedicated to promoting independent black cinema. Restless City
tells the story of 21 year-old Djibril, a Senegalese immigrant who is
trying to carve out a life for himself in New York City. The film is
visually stunning as the filmmakers played with color, film speeds,
reflections, and close-up shots that felt like moving portraits.
Unfortunately, the story was not very good. Primarily centered on
Djibril’s and his love interest’s interactions with a local thug, the
plot was weak on character development and some subplots were left
unresolved or unexplained. The experience for me highlighted the fact
that good writing is as important as strong visuals in filmmaking. I
was disappointed. Restless City is now playing in selected cities.
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