Six
year-old Hushpuppy lives with her father, Wink, in a dystopian
Louisiana coastal community called The Bathtub. On the wrong side of
the levee, Hushpuppy and the people in her community celebrate as many
holidays as they want while also preparing for a time when ice caps will
melt, primordial beasts will be released back into the world, and flood
waters will take over The Bathtub. If it sounds fantastical, it is.
But Beasts of the Southern Wild
is the type of film where the fantastical could be entirely real.
Hushpuppy and her father have a bittersweet relationship--in their
hardscrabble world where Hushpuppy’s mother just up and swam away, Wink
tries to prepare Hushpuppy for basic survival, telling her she’s the man
and to show her guns in one breath and, in the other breath, telling
her to keep her girlie things out of his house. It’s hard to tell
whether Beasts of the Southern Wild takes
place in the past, present or future, but it is certain that Hushpuppy
is a heroine for the ages. Although faced with very real emotional and
physical obstacles, she rises to the occasion and when she faces the eye
of the beast, she speaks her truth, “I gotta take care of mine.” Some
who look at this film may immediately be reminded of the ravages of
Hurricane Katrina, may think it’s a commentary on the perils of global
warming, or a brutal story of the perseverance of society’s “have-nots.”
But at its heart, it’s about family, community, and home. The best
and most priceless things in life.
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