The new movie Argo is based on a true story of how CIA agent Anthony “Tony” Mendez
was able to extract six American embassy workers from Iran during the
height of the Iran Hostage Crisis in 1980. Mendez, played by Ben
Affleck (who also directs), comes up with a cover for himself and the
six workers, who are hiding at the home of the Canadian ambassador, to
pose as a Canadian film crew scouting locations for a sci-fi action
adventure entitled “Argo.” The plan is for Mendez to fly to Iran, prep
the six on their covers, and then catch a flight out of the country via
the heavily-guarded Tehran airport. Sound like a bad idea? Apparently
the CIA thought so too, but it was better than having the six take a 300
mile bike ride to Turkey.
What
makes the film and and real-life events so Hollywood, is the way Mendez
has to set up the cover. Relying on his contact with a Hollywood
makeup artist John Chambers played by John Goodman, Mendez goes to
Hollywood, sets up a production company, hires a producer played
artfully by Alan Arkin, creates story-boards and posters, and hosts a
press junket. Almost everything is done except actually shooting the
script. But all the attention to detail is necessary as the film turns
into a tense international spy thriller--will Mendez be able to pull it
all off when no one is convinced it will work?
Affleck
does a deft acting job of quietly inhabiting Mendez as carrying the
burdensome weight of six lives depending on him. As a director, Affleck
is able to capitalize on our American sensibilities in needing a hero
and needing to prevail over a brutal enemy. But Affleck does his
homework too by beginning the film with a brief history of Iran and how
the U.S. historical manipulation of Iranian leaders and oil interests
led to the unrest creating the hostage crisis. As I watched the film,
which was interspersed with a lot of real news footage, I was reminded
vividly of my own childhood watching the crisis unfold on tv and the
yellow ribbons that symbolized solidarity with the hostages. With this
film and his second foray into directing a feature film, it is clear
that Affleck has truly arrived as a filmmaker.
Be sure to sit through the credits to get a glimpse of the real life people who experienced these events.
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